Posted on May 9, 2010.
Of Lijun of Fang ae" a Chinese Artist
Fang Lijun had been born on 1963 Born one in Handan, the province of Hebei, RP China. The bald directed youth that appeared first in the pictures of the artist in the year beginning 90 became Lijun of Fang figures characteristic and widely was interpreted as the disillusion symbol, the mockery and the rebellion in the Chinese present corporation. The later collection includes the water collection, the unreal works of swimmers, and gigantic, the multi-panneau, the board characters.
Fang Lijun is the principal protagonist of Cynical Realism, the major movement of the post-1989 eras in the Chinese contemporary art. The cynical Realism, an urban based movement, developed following the events of 1989 that included not only the demonstrations to the Square of Tiananmen but the preceding closing that the year of the "avant-garde China" the exposition to China Gallery National to Peking by authorities. Monumental fang gauged characters rekindle the old Asian practice of impression of board -- a complicated and exacting process to cut a picture "negative" in a panel, clothing the surface in ink, and impress the picture on the paper; every color and the different tones demand a separated plate and an impression order. Because of their immense ladder, the pictures of the Fang are composed on several adjacent projections, Thematic, each of these characters describe the difficulty of the individual against the "mass", creating a witty contemplation of solitude the quest for personal integrity in front of the adversity.
The picture of the 30th fang Mary evokes these same feelings with a funny effect. Evoquant of European pictures of ceiling of church, the Fang paints an order of rising one of even even figure kewpie, every based on his own picture. one of the most of the pictures celebrate contemporary Chinese art are the Lijun of Fang painting possessed by the Museum of Ludwig, cologne, the Collection 2 - Number 2, 1992. The principal face, a friend of the artist, could yawn or yelling while the mute faces and threatening in the bottom bring to have objections the masses without intelligence and handled. The constraste between the strong individuality of the principal face and the scatterbrained accordance of the four faces of bottom overwhelms.
The exposition of their works to China Gallery National was the culmination of this decade and signaled to the artists that they had been recognized. The dramatic closing of the exposition little apreds his opening marked the destruction of these objectives.
Chosen expositions
2006
aec Kupferstichkabinett Staatliche zu Berlin Meditated, Germany
2005
aec Gallery National/The Museum of Art of China, Peking, China
Art cologne, Germany
2004
aec Lijun of Fang, Leben Ist Jetzt, Berlin of Galleries of Ochs of Alexander, Peking, Berlin, Germany
2002
aec Lijun of Fang, Between Peking & Dali, the Woodcuts & the Pictures 1989 - 2002, the Forum of Ludwig for InternationaleKunst Aix-la-Chapelle
2001
aec Lijun of Fang, Well Asian Art, Berlin
aec Pra¼ss + Germany of Gallery of Ochs
1998
aec Lijun of Fang, Max Protetch Gallery, New York
aec Of Peking to Amsterdam and of return, Stedelijk the Museum/Gallery Serieuse Zaken, Amsterdam
1996
aec Lijun of Fang: Human pictures in one Acts Uncertain, The Center of Asia of Foundation of Japan, Tokyo
aec Lijun of Fang, Gallery Bellefroid, Paris
aec Lijun of Fang, Gallery Serieuse Zaken, Amsterdam
Conclusions:
Fang Lijun is the principal protagonist of Cynical Realism, the major movement of the post-1989 eras in the Chinese contemporary art. Fang Lijun exposed its works to China Gallery National that was the culmination of this decade and signaled to the artists that they had been recognized to the circles of Chinese art.
What To Do Next...
If you want that any information of Lijun of Fang or looks for its pictures visit us please on http://www.saatchi-gallery.co.uk/artists/fang_lijun.htm
